Is it ok?
Thanks

After reading up on 24-bit recording, I became compelled to re-record my old 4-track cassettes from when I first started with recording, and a few albums I bought on cassette into digital. I recorded them before onto my desktop computer's built in Avance97 audio card, in 16/44.1, but I could tell a noticeable difference between the .wav file and the source tape.

hey Buddies,

wat i know is the maximum resolution for GarageBand is 16 bit right?
it don't support 24 bit?means,no other setting for 24 bit recording in GarageBand isit?

will GB upgrade to 24 bit soon?mayb GB 3?

Ray

Hi
I recently posted this at what I now see was the wrong place. It should have been better put here: (Dead Link Removed)

Hi all!

I have a question that I need a sure answer to, and would need reference to if possible.

Hey Gang

I've had a good trawl through some posts and it seems that the Gigabyte K8ns Ultra 939 is a mobo of choice for the AMD 64bit 939..

(Gonna be using RME cards)

Question...Is the Winchester the preferable beast, and what is the current du jor model for blistering VSTi performance? Also, any other recommendations for mobo's? Any pratfalls to look out for?

If I'm exporting files from Cubase at 24 bit and they were recorded at 16 bit, am i doing damage to the file?

The reason being I have some files at 24 bit and some files at 16 bit and would prefer to master at 24 bit obviously.

As you can see I'm somewhat of a beginner so take it easy please

How is it possible?

I have an ensoniq sampler from 1993 (asr10) which sounds MUCH better than my RME multiface.

And it is not because coloration or distortion, it simply sounds more "in front", a little bit smoother and warmer and fatter.

I made some tests recording both simple sinus tones and some very fat sounds from my old arp synthesiser.

i currently mix all of my music ITB @ 44.1khz / 24bit in digital performer. (please no flame wars aboout ITB).

i'm interested in bouncing my tracks down at 88.2 so when i take them into Peak for final "mastering" i can use my plugs (UAD, Sony oxford, URS) at a higher sampling rate.. and then save back down to 44.1, 16bit (pow-r 3 dithering) for CD.

Well I just upgraded to the RME Fireface 800 from my crappy Edirol FA301.

Firstly anybody searching, I cannot recommend the Fireface highly enough. The difference, mainly noticeable in the higher frequencies, and the clarity of what I can hear in old mixes that I never could before, is simply stunning.

I finally feel I am moving towards a semi-professional level.