hey, when recording with Pro Tools at 96K and bouncing the mix to the harddrive (a Wav file), it doesn't play back, but when i record at 48K and bounce it to disk into a wav file, it plays fine. i'm sort of new at this, so is there anything i'm missing

thanks.

Hi folks,

I have an orig MOTU 2408 with 20 bit A/D.
I would like to record into Cubase with 24bit
recording switched on.

Is it ok to use 20 bit A/D with 24 bit recording?
For ex, will I get any unwanted artifacts?

Any comments greatly appreciated - thanks

-jrmixman

Hey guys,

I tracked a session at 48k using a Focusrite preamp. I mixed it. I mastered it, but when I went to bounce and convert to 44.1 for CD burning, the conversion didn't happen properly, and thus my recording has been tranquilized. Can someone give me some suggestions (aside from "don't track in 48k")? Thanks!

I have a question about converting from 24/96 down to 16/44.1:

Hey everyone,

Started setting things up for our project studio and when running the card through its paces, we found that if we recorded at the 96k sample rate things sounded like they were clipping. All of the sources were not, and when we lowered it down to 24/44.1 everything returned to normal.

hello every one . i was wondering is it possible to take a stereo track out of a computer thru MOTU 828 mk2 to the dbx DDP and thru the finalizer 96k and to the masterlink without it sounding all messed up or getting some kind of digital flanging or will it be ok and sound good ...sorry if its a stupid question and thanks for your time ...max

I do the mastering of my home projects in wavelab. how is the converters in it? should i record in 48k and dither down at the end, or should I stick to 44.1?

I've totally f-d up... I have an ApogeeRosettaAD and I use Pro Tools to edit...

What I did.
Sample rate on my session file was 44.1k
and was set to external clock, my rosetta, which was set at 48k

Can someone help me understand. Which matters most?
The digital to analog converters or the bit resolution?
Mainly, going to CD or even CD-R.

All of the bands I've recorded have been 44.1 expect one. I recorded this band at 96K and I noticed a difference, but it's hard to say because it's a completely different band with completely different gear. Is it worth it to record at 96K? What exactly is the difference? I searched to see if this has been tackled but didn't come up with much.