Newly drafted “sound guy” in Southern California needs help with Live Sound / DAW Recording in a church setting. I am computer GURU - however I am a new recruit at sound - but have had my eyes "open" - learning...

Hi guys,
i am a new member.
i would like to ask what do u guys think of a signal pass through a graphic equalizer go to the input of the mixing console but not passing through the EQ send by aux and return during recording?
i hope everyone know what i'm talking about because my english isn't gd enough
thanks a lot

I am sure that compression should be applied before EQ but I am not completely positive about it. This is my set up:

Microphone to MH3 chanel, ACP-88 to insert and then series to an EQ station, the EQ staion is after the compressor.

Can anyone help please?

Thanks.

Hi,
I am using the VMP in a live situation on my gigs. You can set it up with the compressor being pre or post EQ and the Vintage harmonics being pre or post compressor. It gets a bit confusing as to what the best signal chain would be for best results. Would it be best to have the
COMP-VC-EQ. or
VC-COMP-EQ or
VC-EQ-COMP.?

Hi,
I am using the VMP in a live situation on my gigs. You can set it up with the compressor being pre or post EQ and the Vintage harmonics being pre or post compressor. It gets a bit confusing as to what the best signal chain would be for best results. Would it be best to have the
COMP-VC-EQ. or
VC-COMP-EQ or
VC-EQ-COMP.?

this unit lights up and all parameter controls work yet there is no signal,no green lights no clip light when turned up all the way.when the outputs are plugged into powered speakers the drum beats are audible but volume is low even when cranked.any suggestions before i take it back?its as if they forgot the preamp.

I have been experimenting with recording jazz guitar (7 string archtop) for a while and was thinking a good approach would be to record the direct signal from the pickup along with mic'd up guitar/amp and to mix the various signals together. What is the best way to split the signal from my guitar into two outputs without losing any quality, adding noise, etc.?

I am looking for a good Compressor/Limiter plug In for mastering.

One kind of like Sony's Wavehammer with these options.
Options:
Has an Input Gain fader(Wavehammer does not)
Allows Peak and RMS Compression
Ratios up to 50:1 or higher if possible.
Offers a Limiter to limit the Output

I've got a Digi 002r interface and today I bought a PreSonus HP4 headphone amp. I had been using the monitor outs with balanced 1/4 inch cables into the back of the monitors. I set up the HP4 today using the main L and R outputs into the HP4, then the HP4's L and R outputs into the monitors using good quality mogami balanced cables.

We are running a splitter on stage w/2 snakes, w/one (75') to the "live" mix and the 2nd one (100') back to the control room. We would like to know if we could run 1 snake form the stage and put the splitter by the soundperson; then run the 2nd snake to the control room. In other words...