Hi. I don't know even how to search for this...my apologies.

Every recording/mix setup is probably a bit different. I've been advised by mixing engineers to be cautious with the compression while recording, because once it's done, it's done. But my experience has been that my Avalon 737 is more transparent than any compressor I can apply during the mix in Pro Tools.

I know, you're supposed to record opera singers in acoustically perfect concert halls, but I'm on a budget and all I have is my 8 x 10 home studio which doubles as both a control room and a live room. My goal is to record live vocals over pre-recorded orchestra karaoke tracks to famous soprano arias.

How do you deal with a nasal sounding speaker? Is there a certain frequency range that can be tweaked to fix it without damaging the timbre of the voice? I had a real problem with this on the weekend. The vocal was really nasally and hard to handle. I have an awesome chart listing fundamental frequencies and the frequency ranges for warmth, tin, mud, etc, but nothing for "nasally vocals".

I'm getting my mixes really loud. When the vocals are soloed, they are clear and forward, but when the instruments really enter the mix (like in a full chorus), the vocals tend to get absorbed or quiet down. Is this a sign of over compression? I'm thinking it might be. Any help would be appreciated.

look for help with warming up the vocals in my recordings. i am using a at2035 into the maudio mbox2 mini. Pro Tools 7.1 is my program. after do the normal eq, condenser, desser, and then busing the delays and reverb the voicals are just coming out to cold; hard; standing out in the mix to much. I'm looking for sugestions. how about a tube preamp added before the mbox.

I'm recording a songwriter with 1 large condenser; vocals and acoustic guitar. Also, I'm Micing a cello, and a violin with a RODE ntg-2 shotgun. I'm running both into a Zoom H4N recorder. 

Here's a mock-up of how I intend to set up. Nix the back-up singers. Any ideas or tips?
Much appreciated!

i was wondering how do engineers get that "in front of your face" sound on vocalists. i am currently mixing down a friend of mine that did a rap on one of my beats. i compressed his track a bit, then sent it to two aux tracks to one panned left and one panned right and slightly lowered the level. any other tips or advice you can give me please!

Ok, so here is the deal.

I am recording the voice for a companies Phone Messaging System, their phone company is telling me that the recording needs to be in CCITT u-law, 8.000khz, 8 Bit, Mono format. I am using Cubase 5 to record and i have tried this:

So I've been recording these two fellows for awhile and was wanting some advice. I have been using Audacity, with a Tascam US-144 and a RODE SM6 mic, shock mount, and RODE pop filter. Here is a song that has been recorded http://www.youtube…. I personally am not happy with how my vocals sound.