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Hi,

I've got several cheap mic preamps for a number of cheap mics and I'm satisfied. However, I'm currently demoing a ShinyBox 46MXL which I -really- like, but for the fact that none of my mic preamps generate anywhere NEAR enough gain to make it practicable.

Any recommendations on a good match that won't break the bank?

(Any by 'break the bank' I mean '$400 or less' --- which is what the mic costs.)

TIA,

---JC

Comments

BobRogers Sat, 10/30/2010 - 20:33

I don't think you are going to get 80+dB of good sounding gain from a pre in that price range (though I'd be very interested if I'm wrong). But there are several compressors in that price range that sound pretty good (I have the FMR RNC and it is not bad). You can use the gain on the compressor as an extra gain stage either without adding any compression or by adding compression to taste. That would give you that total amount of gain you need and you'd have a reasonable compressor in your studio.

thatjeffguy Sun, 10/31/2010 - 09:42

For $99 you could get a Rode DPlug. It's an in-line little preamp that runs off the phantom power and gives a 20db signal boost. I've got two and use them regularly with my ribbon mics. They're quiet and very convenient. I bought mine from Olympic Microphones when I bought my Fatheads, but I'm sure they're available all over.

Jeff

TheJackAttack Sun, 10/31/2010 - 10:04

As I understand it, the rule of thumb for preamp impedance is that you want 4x the microphone impedance. So the rated impedance of the R101 output is nominal 300 ohms translating to it looking for 1200-1500 ohms from the preamp. Some of those preamps claim to have up to 20k ohm impedance. I'm not sure if the "extreme" end helps or not.

Suntower Sun, 10/31/2010 - 13:06

thatjeffguy, post: 355874 wrote: For $99 you could get a Rode DPlug. It's an in-line little preamp that runs off the phantom power and gives a 20db signal boost. I've got two and use them regularly with my ribbon mics. They're quiet and very convenient. I bought mine from Olympic Microphones when I bought my Fatheads, but I'm sure they're available all over.

Jeff

I'm really pleasantly surprised to hear you say that. I've read various 'reviews' of the D-Power Plug on the vast interweb and before yours none of them have been too good. I'll see if the dealer will loan me one as part of the demo. Frankly, it's the only way I can see being able to keep the Shinybox.

Thx.

---JC

Boswell Mon, 11/01/2010 - 03:39

Link555, post: 355884 wrote: The higher input impedance means the mic pre will be less affected by variance in different mic output impedances. However the higher the input impedance in a mic pre the higher noise (johnson)...it's a trade off...always is ;)

The Johnson noise of a good pre-amp is dominated by the combined referred impedance at the input. If the microphone has a uniformly low output impedance (e.g. 300 Ohms) over the audio frequency range and the pre-amp input is medium/high impedance, it's the microphone that will determine the input Johnson noise.

A pre-amp has other noise sources that contribute (usually) at a lower level, so, for example, its output does not go completely silent when its input is short-circuited.

TheJackAttack Mon, 11/01/2010 - 11:35

Just a wild shot, but before your do your next test, make sure that you check your XLR cable to ensure it was assembled correctly. Some microphones (ribbons) are pretty touchy about these things. If you don't have a tester hop on down to your local GC and get one. They are invaluable. You don't need the fanciest one but I use the [[url=http://[/URL]="http://www.sweetwat…"]Ebtech Swizz Army[/]="http://www.sweetwat…"]Ebtech Swizz Army[/] and I have saved lots of time and frustration. I used to use a multimeter only and quite frankly that was a PITA for mic cables and TRS cables.

Even brand new cables can be cross wired.

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