Hi,
I would like to send the line out coming from my switchblade ( line mixer-splitter) into the inputs of an old and nice Tl audio indigo mic preamp.
It happens that I am overloading its inputs ( using a jack to XLR cable).
Is there any simple solution to keep my levels and feed it with a lower signal ( I mean: any particular cable solutions) ?
thanks,

http://www.bayviewproaudio.com/customer/product.php?productid=21767

it comes with only three mics i have two questions for you kind gentle ppl.

Hi There,

http://www.bayviewproaudio.com/customer/product.php?productid=21767

it comes with only three mics i have two questions for you kind gentle ppl.

Any advice on controlling a dynamic vocalist?

My signal chain is:
Soundelux ifet7 in "V" mode
Langevin Dual Vocal Combo
Digi 002R - Pro Tools LE 6.9

Female vocalist that has some very quiet parts and then some VERY loud parts (i.e. belts). I try to get the hottest signal possible, but in order to avoid digital overs, I have to keep the signal quiet.

hello. iwas wondering if anyone has experience with this microphones? good or bad ?

So I've been going off and on about what audio interface I want to get. It's still sorta between the PreSonus Firebox and M-Audio Mbox.

jp was right guys, you can make a song more dynamic with only eq! cut out the squished mids so it leaves the kick and the hats, vola nothing but dynamic! (yes I'm kidding on this part.. duh)

I'm a student at the Conservatory of Recording Arts in Tempe, Arizona. I start a project next Wednesday, it's my first recording. It goes unsaid that I want to have the best recording in my class. Any Micing techniques, and mic types (I have many at my disposal) that you all could recommend would be very appreciated and helpful.

I Have a tube mic that acts up sometimes.

The mic is a C.S.D. "custom sound designs" a company that i have found no info on.

It uses a 6201 tube 'at least that is what was there when i got it"