hey guys, i need a little help. I need like one of those computer/robotic voice for trademarking the beats .

I need somekind of software that can convert text to audio.

Thanks

has anyone used reason record yet? I'm considering buying it since recently iv been hooked on reason, and also because pro tools is not working on my laptop anymore and techinical support are giving me F all support!

Setting Up Audio PC With Many Plugins

Having recently viewed the ever extending size of the plugins I possess; I decided it was time to upgrade my system and the way in which it is utlised. I have noticed now that with some single plugins taking up over +40GB in space I would definitely be in need of a larger drive (2TB) to store this capacity.

I have 3 drives.

C - System
E - Audio
G - Sample

Hey, guys. Greg Laswell is one of my favorite artists for a number of reasons, one of which being the sweeping melodies which make up his compositions. His instrumentals for many of his songs tend to have a very spacious feel, yet don't really seem to rely on an echo effect. The example I've posted in this thread is called "My Fight (For You)" from his new album Take A Bow.

Hi

Looking for a bit of help from one of the fine people on this forum. I record a podcast and have recently started having weird crackling sounds that I cannot figure out.

We use: Carol microphones -> Wharfedale EZ-m 20x2FX mixer -> ESI U24XL -> Macbook Pro. We use Audacity to record, and Soundtrack Pro to edit.

Someone posted this on Guitar Player forums. I think it's a very good read. It gives the perspective of a content creator who has tried to meet the problem of piracy head on. Still it seems an exercise in futility. I hope that some of the pirates out there will read this and have a change of heart.

I am using the Oxygen midi keyboard, i only use Magix Music Maker 16 at the moment, but i want to make my very own big trance sounds, how could i do this? What vst can i download that would work with magix music maker 16?
Thanks
Lee

I've been messing around with the dynamic compressor in GarageBand '09. I understand the theory behind all the sliders (threshold, ratio, response time, gain). However, it seems they are missing a critical piece here: visual analysis of the signal. If I can't see the dB curve, how do I know where to set the threshold?

when i mix, should i run my headphones/speakers through the Apogeeone to use its converters? WIll this make it more friendly to mix? or not..?