GT66 owners - Can any other PSU be used with it?
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I may be buying a used GT66 (very cheap), but it has no PSU! Will I be able to pick up a used one that will work with it esily enough?
Cheers
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Anyone tried the Oktava MKL2500?
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This low cost tube mic has been around for a while now, so as anyone tried it? How does it compare to other low price tube mics?
Also, has anyone every used the Apex 450? Is this the same mic as the SoundKing SKEA002W?
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Comments on Summit Audio 2BA-221 preamp?
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Hi, a guy at a shop has recommended the above preamp to pair with my RODE Classic II mic, for mainly vocal recordings, but also as an addition to my studio - any comments?
Micky.
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Mixer setting question
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What does it mean when an EQ setting is written +6.0dB at 256Hz with 0.7Q Peak response?
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Recording fiddle, dobro & steel
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Hey, I am doing a project next week where I'll be recording those three and here's what I was thinking.
SM57 and U87 on the steel amp and 414 on the dobro but I'm not sure exactly what to use on the fiddle. Any thoughts?
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DP4 vs SX
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Anyone care to comment on the pro's con's between SX and DP4 (specifically on a Mac).
Micky.
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Speaking of ADAT (toslink)...
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Hello again,
I've been using a MOTU 828 for the last year, almost exclusively with the analog inputs and without the manual.
I'll be working (for the first time) with a Mackie 24HDR and I'm wondering what I'll need to dump multiple tracks from the Mackie to the 828 using cubase.
I know I could just figure it out in time, but I'd like to be prepared this time.
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I need some info
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The Ensoniq Paris DAW has an internal mix diferent than the other workstations because they included a nonlinear algorithm and the sound is very close to the sound of analog mixing consoles. It will change the sound depending how much you push the fader on each channel.
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I need some info
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The Ensoniq Paris DAW has an internal mix diferent than the other workstations because they included a nonlinear algorithm and the sound is very close to the sound of analog mixing consoles. It will change the sound depending how much you push the fader on each channel.
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VS 2480 CLOCK?
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Here's our proposed set-up::::::
Dual TC electronics in the Spdif and Optical----a A/D converter (from a Manley Pre) in the RBUS (AE 7000) and out the RBUS to a Masterlink.
will we have a CLock/sync problem?
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