I need to go AES/EBU out of my 888/24 and into my DA-88. What options do I have in terms of gear? I know that Tascam makes the IF-AE8 for this purpose,but it's $500.00, anyone know of an alternative to the Tascam IF-AE8?

Thanks.

I am in process of recording a very talented female vocalist who has a bit of lisp. I know there must be a way to deal with it, but I am clueless. I am assuming that it must be similar to dealing with sibilance, and maybe the use of a De-Esser...but I am also clueless as to how to use a De-Esser (I know it is basically a notch filter).

Bert...man, you know I know computers...so whay the hell do I keep getting the No Red units available? I've set the removable drive to cable select...I exited the mixtreme mixer from the system tray and installed the Red Software v3.5 and nothing..restarted...see the mixtreme load..then try the Red...nothing!

Hey y'all. Just popped over from the computer side of things. Got that in order, now onto the REAL stuff. First order: My buddie and I are in the stage of having fun now, using computers, and live recording only vocals and guitars. Rest DI or digital. Hip Hop / Rock interbreed stuff. Really, 2 white collar college friends trying to find our urban old-skool roots.

I tried the Davec test and got 21 tracks, but then I actually recorded a sixteen track, five minute song. Later I added 4 plugins over seven vocal tracks, but anymore plugins than that and my CPU monitor goes into the red. Is it time to get that new hardware we talked about?

Is there any validity to high frequency loss during vocal recording with the use of store bought pop screens?. I have been reading a thread on another site and these guys SWEAR there is a marked difference. Using my son as a variable "hissing machine" for starters, I did a with/without, and honestly heard no difference. I have fairly well trained antennae.

Just wanted to put up this post. I just bought a used VF-08. Haven't done much with it yet. I know in some people's eyes, it may not be the best thing to get, but I think I did good in getting it. I got it for about the price of an analog four track. $280 USD, so I can't complain.

We've signed four (4) artists on to our label, MB Records and are producing all the albums. We should have 2 of the albums ready within next month. Any ideas as to how to get the music on radio and get it heard by Majors?

Choose one:
1. PreSonus Digimax LT
2. PreSonus ADI896
3. Swissonic AD24
4. Focusrite Octopre

Hi!

I'm selling of all of my former project studio stuff to start over again. I'd really like a 24 channel mixer, and was sort of set on the Mackie 24/8, but now I've heard so much bad things about it that I can't go through with buying it.

Which mixer at this size and price-range is better? Should I get an older one?