Hello all,

This is my first time here and I would very much apreciate a little feed back regarding the 96K Finalizer.

Firstly, let me say I am a Composer and own my own private studio that is operated just for myself.

I have never Mastered before, however my goel is to take all the 2,4 track cassete masters, 1/4 inch and 1/2 8 track masters for Finalizing to DAT.

Sharp is soon to release this pda
http://www.sharp.co.uk/pda/
that runs qt embedded, and kde embedded, and linux.
It is has no speaker, or mic, but has a 'headset' set of input/output. It also has USB.

Just curious as to when other mixers start engaging stereo compression in the mix process.

Hi all...I'm looking for some conventional wisdom that could help me get a decent sound (1st time Micing drums), using the following:
1 Audix OM/2
1 Hi quality stereo binaural Mic
1 SM58
I will be recording to a Kork D12 (can record 4 tracks at once).
Any help with placement (especially), and EQ etc would really be appreciated.
Thanks!

I have an Alesis board, Alesis AI3 Converters, 2 SM57s, 1 AKG 3000b, an AKG 590S dynamic, a Audio-Technica MB4000C condensor, 2 Radio Shack dynamic omnis (made by Shure) and a waiting client. I have never recorded classical guitar before and would like to know what others have tried on such a low budget.

Has anyone compared the A/D section of the L2 against the A/D section of the PSX-100, if so, which is better?

Please, just the two mentioned!

Thanks in advance.

Ozzie

i'm contemplating a mobile studio, and i'm wondering if there are any major hassles vis-a-vis digi001 v's motu828

i'm thinking a g3/4-500 powerbook

Hi,

I was looking into the Emagic MT4 USB midi interface for PT LE then thought perhaps it might be best to get a Digi 001 with it's built in midi port.

i WAS wondering if there are any chat rooms that catter to the recording industry as far as what we talk about hear where i can get a faster response. No offense i luv all yall. But is there a chat room site?

I've got this sick discusting ass hum coming from my computer. I hear it in my headphones. I hear it when trying to sample sounds from my computer...and most importantly and most aggravating...i hear it in my damn recordings. My mic picks it up..i pick it up! I don't want Def Jam or J Records to hear that sh*t. I'll probably need to carry by arse on to a real studio but help me out anyway.