:smile:

My apologies to the admin. in advance if this is in the wrong forum (or even shouldn't be here...)

Hey guys
I got a radio station on the internet...and I am wondering if anyone would like to send me some music that you made, so that I can play it in a dedicate section of my broadcast.

Have we got T.C.I. ?

After GAS and PAS ... Have you got TCI ( Track Count Insanity )?

I cannot seem to get my head around how masking can make something out of nothing. When I solo some of my tracks, they are a trainwreck, yet they can sit in the mix perfectly, and the flaws (sometimes major) are entirely concealed.

Since I'm having some GAS, I figure we might as well give an honorable mention the P.A.S. ( plugin acquisition syndrome) .

GAS in the digital domain = P.A.S. You heard it here first! :tongue:

Hi folks...

In the past I remember reading about a great software that was capable of precision, surgical removal of unwanted sounds/frequencies from a recorded track.

I recently recorded a live gig taking the direct outs of the FOH board. There's a pretty bad buzz on several of the feeds.

How many times have we seen PA systems take a hit, mic stands fall and newbies blow into mics.

You'll love how this conductors saved a $4500 Royer SF 24 from disaster

Enjoy!
 

Can anyone give me an opinion on one vs the other. My drum tracking room is also my contol room. Obviously I can't really monitor what's being recorded very well with them banging away right there in the room with me so, I want to get some headphones for mic placement with a lot of outside noise reduction. I just don't know what works better; the noise canceling ones or the isolation ones.

My friend is getting ready to move to New Mexico and set up a new studio there and is really excited about these. He has a bunch of seventh circle and other pres and likes the fact that Sonic Core's products and legacy products from previous buyouts encounter no problems working on today's OS.

Signal Chain:

2 Overheads (Cheap Nady's) into preamps of cheap Behr*(&(*& mixer, mixed as the main signal.

1 Kick Mic (Cheap Nady) into dbx pre-amp (heavy compression) into line input of Behr(*&$ mixer, mixed to taste.

1 Room Mic (AT2020) into dbx pre-amp (moderate compression to taste) into line input of Behr@#@^% mixer, mixed to taste.

I need a usb inteface with the following characteristics:

- usb 2.0
- at least one line input (if stereo, better, for synths) with hi-z
- at least one mic input (if it has phantom, and is xlr, better, for a condenser mic)
- a stereo output so as to route all audio when playing live to the FOH console
- it has to be low-budget (I'm in Argentina!)