Hello lovely people, and how is everybody doing

Typically speaking, when I work on my Vocals, I apply a High Pass Filter, adjust it depending on what sounds clearer and stands out more in the mix, and then I usually boost some of the higher frequencies, once again depending on what makes the vocals stand out more in the mix.

This will shed some light on Samplitude > Mixing with VCA’s
http://www.Samplitude.com/en/tutorials/Samplitude-academy-mixing-with-vcas.html

So, I was unsure if this was the right place to post this; but it seemed to be the place I feel those who would have the answer would likely be reading.

Greetings all,

I got this vid from the Waves website, so I'm sure that the video will get around to trying to sell us something

Mixing Strategy

Hi everyone. This is a song by Wakey Wakey, produced by Fabrice Dupont of Flux Studios NYC. There were like 50 raw tracks and then I mixed it. Thoughts on the mix? It's the one that says "Eric Watkins" Thanks!

Hello recordists! This is my first post, I appreciate having a place to get objective advice about audio.

This song was written by the singer. I arranged and recorded everything, now I'm ready for the brutal honesty part of the process.

[MEDIA=soundcloud]harrellsferry/out-of-the-blue[/MEDIA]

Thanks for listening.

Larry

So I have read some articles online, and one small thread on this forum on this topic.

I will be completing a project that is for vinyl and digital release.

Pretty straight forward question... as I cut vocals, I often find that later phrases or phrases that descend to lower notes have a drop in relative volume and are hard to hear -- I've been creating volume envelopes to compensate, and I also know I can use limiters with threshold and ceiling settings or compressors to do something similar (just starting to do this)...