I've been looking at a lot of pro mastered stuff, and I notice these guys get some serious level without that trademark L2 distortion.
Not that I expect everyone to be forthcoming as this is regarded as secret in some circles, but how are you guys achieving these kind of levels?

Does the compression and multiband comps play a large role in achieving overall volume for you?

What do you think of it, is it worth the money ?

hi Cash my bro is KENNY LAYTON .was part of a duo called DIAMOND & LAYTON but unfortunatly his partner had a stroke which left our ken to carry on on his own .he is at Bremen at the moment.he usually does all the theatres but is at a 5 star hotel & all the stars stay there he has met so many.outside of the hotel is a big marque where he is performing.he travels all over germany.nice to

hello I'm new here can anyone help plzzzzzzzz i have a Samplitude version 8 but i am getting a lot of clicking on my tracks can someone tell me why & how do i get rid of them i would be very grateful.i am recording a track of myself singing.it is very annoying when u have finished the recording then u here clicking noises that spoil it plz help tyvm x ollie

When checking commercial songs (in 44.1 kHz) with a spectrum analyser, I often see a sharp roll off in frequencies at around 20 kHz or so. Why exactly is this done? In order to make the fact that the frequencies are abrubtly cut off at 22050 Hz inaudible? So is this something I should be reproducing by using a low-pass filter with a sharp Q (I'm using 20504 Hz, Q of 5.79)?

Hi all, I registered here a few months ago but could never load the forum pages for some reason, until now. Probably a good thing, because I've learnt a great deal during that time in the world of engineering, saving me any embarrassing moments. Well, probably more to come. ;)

Hi,

Did you try them ?

What do you think ?

Good day all,

I wondered what you mastering pros use to master vocals. Do you just use the things everyone knows (like CEP's EQ, compressor, etc), or do you have special mastering equipment (which makes that pro-sound we all know from i.e. the radio) that you use?

And is it possible to professionally master a track with just a random program (like CEP)?

I will be needing some mastering done on several albums very soon, this seems like a place that has many people who really know what they're talking about and doing. My only question is does anyone here have a lot of experience mastering hip hop & r&b music, and if so a couple questions for you. How much do u charge, how do u preffer the songs when they come to u?

I cut dubplates on a semi-professional level and was wondering what hardware piece (digital or analog) might do me best for quick simple de-essing of troublesome music. This would be used alongside my high frequency limiters specific to cutting.