i really need an alternative to waveburner!

anything out there that can take sd2 split files and put id's isrc and dither on them?

oh and btw... run on osx!

i heard that emagic will include it in the next version of logic.

but... i'd rather die than use logic

any help?

(under 1000$)

Hi,
If I send one of my tracks to be mastered... What do i send? Each track in the mix? Or the whole song? another thing... do i remove all of the effects put on to the song? How does it work?

Thanks,
Spiro

I know that this is the mastering forum and that sound restoration and audio forensics don't quite fit here, but for lack of another forum, I thought I'd try you all since you're the most detail-oriented group here. I am interested in both subjects but have found very little information about how to learn more about either one.

Hey all --

Im just finishing up mixing and readying an EP for one of the group's i produce.
This is the first times we've ever had anything mastered, so i have a couple of questions! :

1) What levels should the final bounced mix be at? Obviously not clipping. And does it matter if there was an L2 limiter placed over the Master, or would u rather not.

Can any one suggest a good internal IDE CD burner?

Would anyone be interested in evaluating a CD? (first 3 interested parties only)

PM for details. (no charge of course)

I came across the following site via another newsgroup:

http://home.earthlink.net/~abbedd/noinglotteCDs.htm

(Boycott Inglotted CDs)

Hi
I have to make a master CD extra (audio + video) ; but to achieve this I can only use Samplitude or Nero.
My problem is that I have made the audio master with toc and CD text and evrything, but I can't find a way to burn this a CD extra directly from Samplitude.

So maybe I'm obliged tu use Nero ; But how can I keep all the CD informations I've created with Samp?

The material I have recorded is at 24 bit 48000. I want to use the L1 as a final stage limiter. Should I downsample and do bit reduction only (no dither) through Cool edit and then run The L1 at 16 bit 44100, or allow Cool edit dither as well. The Waves manual is a little vague on this. Would it be better to simply use the L1 at 24 bit then downsample for CD's using Cool edit

any experience/opinions on them ?

strange looking hf driver and waveguide.

strange looking mid driver also.

no bass port.

modest price.

do they translate well ?