If you click on a peak in PAZ it reads the frequency. Saving data gives the same figures. They are inaccurate. e.g. PAZ 108Hz is actually 100. This could be misleading when trying to isolate "boom" in a mix or track.
DD

I know from reading the forums here and from various conversations that Mastering is indeed an integral, albeit misunderstood, stage in producing a high quality LP. So in the spirit of demystification, I want to ask a few pointed questions, bearing in mind of course that any answers given may be subject to taste and producers'/artists' wishes.

Hi Everyone,

If you could take about 2 minute to say a few nice things about RO at this link: http://www.alexa.com/data/details/write_review?q=&url=recording.org that would be sooooooooooooooo excellent!

:D

I was making some recordings of bass frequencies to check the response of my controll room. While I was setting up the mic in different positions round the room I had a 100Hz sine I generated in soundforge running on my K-ROK monitors fairly loud.

Not sure if this has been covered anywhere in the forum, couldnt find it anyhow. For all you masterers here what are your biggest pet peaves for mixes you get the are overprocessed . In other words what can us amature mixers get away with without making your job harder to do? I'm wondering about using izotope ozone 2 or some mastering programs?

Hey don't take me wrong. Listen to me frisr before you tear me into pieces (I prefer peace though).

OK, I am new to this site and this forum. Today I took the time to read almost all the posts here and I discovered a disapointing fact that people here do not want to share their knowledge with others. In all due respect I found that very disapointing.

I've been working with this local mastering guy (at the insistence of my clients, not by choice) who insists that I do not use any compression at all on the 2-bus. Normally when I mix I find judicious use of both channel & bus compression gives me the sound I'm looking for.

After years of burning my own CD's (mostly on the Masterlink), and without any problems. recently I have come upon some CD decks that won't play my CD's. I get a "No Disc" prompt on one deck, "disc not finalized" on another, and playback just fine on other decks. I have never run across this inconsistancy before. Any thoughts?. I am, and have been using the Mitsu Silver CD-R's.

Hi folks!

Sure we can not compare nice hardware boxes to junior mstering plus but...

I wasn't aware that TC EQ SAT was developed with junior mastering on mind.
I have been using Q10 as the eq choice for my junior squeezing, along with MASTER X ( also from TC works).

What's the toughest mastering problem youv'e ever faced. How did you solve it?

What's the toughest problem you ever presented to a mastering engineer & how was it solved? (if indeed it was solved)