Hi,
I took my album to Masterdisk in New York and the engineer wrote down information on this piece of paper.

What is this, what information is in the columns, and how can I use this technique in my mastering projects (is there a blank template like this out there somewhere)?

I'm sure it's obvious to most of you, but the right column are the album's track titles.

I was reading a mastering book and he described the some music as:

A. "there was no transient information"

and

B. "the sound was grainy and literally lifeless"

yet he said the music was very loud.

What do those two descriptions actually mean in terms of the process that created those characteristics.

Nyquist–Shannon sampling theorem
I find this very confusing

http://en.wikipedia.org/wiki/Nyquist-Shannon_sampling_theorem

How MC2 audio 1250 power amp compare with chord SPA 1424 and FM acoustics FM 811 MKII power amp?
Which one produce more accurate and trasparent sound?

http://www.mc2-audio.co.uk/mc1250/

http://www.fmacoustics.com/set_domestic.html

Hello out there,
I'm relative new in audio mastering and I have a problem with mastering a choir in Wave Lab. The mix i have sounds very cold, hard and flat. I've spent a lot of time to get a warm and open sound - without success. I hope that sombody can give me some recommendations about how to achieve a good choir sound.

Thanks in advance,
madmax

This is probably a question for someone who is actually involved in the mastering process of today’s analog pressings of LPs. The actual question is near the end of this post.

Situation: Mono casette tape of 4 guys talking. Recording was made on cheap tabletop recorder. Two of the four people recorded with inadequate volume.

Hi everyone,

Just got a chance to listen to the new Kings of Leon album Because Of The Times.

As far as I know this is the loudest clearest music CD ever. Minimal cringe maximum boogie.

What are you opinions and thoughts? Im getting ready to master my project and I'm trying to decide which way to go with it.

http://johnvestman.com/separations.htm