Hi !

Here I am again, still searching for the next buy (Dawm GAS)

I'm going mad - I've loads of music on all the streaming and sales platforms - or at least, had until today. Suddenly every single one - my original compositions and recordings plus licences covers have all just vanished. Distrokids has none - one single waiting for release and everything has gone - Spotify yesterday had them all, today, all gone.

Hi everyone

at the behest of a wonderful gent and apparent elder in the group I am most pleased to join here

a few pics of what I have going on are to follow

many thanks to Link are in order in respect of this collection ;0)

We're doing music lessons via Zoom. I'm recording video via a camcorder connected to capture card. And using USB output from a ZED10FX mixer (voice mic, guitar and backing track) as the "mic" in Zoom. Using a TV as a monitor for the presenter to see the student. And using the speaker in the TV for the student's audio.

I had been using a profire 2626 for the past 12 years or so. I switched to the Behringer UMC1820 because it plays a little nicer with Linux.

The Behringer seems to have more low-mids in the output than the Profire 2626 did. It's a little off-putting to my ears. I was very accustomed to the old sound. I'm hesitant to call the Behringer muddy in comparison, but it might be.

 
In this video, I'll talk about different activities, expectations and how to plan ahead the evolution of your studio.

Let me know what you think !

I’ve got two sets of monitors for a/b purposes... one decent set and One crappy set. Commercially mastered tracks sound good on both. . my tracks sound good in the decent set but overdrive the crappy set. any thoughts on this?

it gets real good about 20 minutes in.
 

Are there phase issues when tracking acoustic direct in and mic at same time?

Hello everybody,