I hope someone can help me out with my problem with Cool Edit Pro. All I want to do is convert some of my audio cassettes to CD format.

I've got everything set up already the only problem I have is configuring cool edit to record the sound coming from my Hi-Fi system through the line in cable connected to my PC. Can someone please help me out here and tell me what to do

Whenever i open reason under rewire after SX, I get the following pop-up on start-up:

MIDI input problem
One or several of the MIDI inputs could not be opened. They might be in use by another application. Open the Preferences dialog and check your MIDI settings.

as a result, i can't use my controller's faders etc to control parameters in reason. what should i do?

Oh my, here we go again.

Truth is, I haven't been to this forum in ages and I'm glad I was reminded of it through a link someone posted in a different forum! I forgot how informative this community is, time to bookmark it again!

I am trying to insert a compressor in my Cubase SX 2 program. This is for an acoustic guitar track coming in

however with the effect on i get a delay sound? or maybe this is latency

I have a very robust system

MAC G5 dual 1.8/3 gigs RAM etc

M-AUDIO 410 Firewire sound card that the guitar plugs into

Hello, I know from searching the site that this question was addressed by a couple of people in 2002 but, in case anyone has had more recent experience, has anyone tried this mic preamp / eq combo from ADM? If so, what are your thoughts on the units? They're going quite cheap in some places and I was wondering if anyone recommends them... Thanks!

Ethan

Please tell me why my mixes that I reproduce and analyze with the spectrum tool from Wavelab are within those frequencies?. The bars are bigger between 150-250hz and almost reach 5k. I have to EQ the whole track to raise some freqs and give balance to the whole track. Do you think this could be my room who is killing some freqs, or is how I use the EQ, or perhaps the tracking?

I have a mix done by a group i recorded yesterday, and quite frankly the bass is very out of place and sounds much to low, and there is no articulation in it at all.

Yeah so I got me a Mackie mixer that is straight analog. I also got me one of them nifty M-Audio cards to record my stero outs onto the computer. Seems pretty good but I need more quality. I was looking on my M-Audio card and noticed a S/PDIF Out and In line. Looked up S/PDIF and found out it holds digital sounds. So I have the technology of going from analog to digital so I assume.

Hi,

Does anyone have any good resources for an in-depth study of mic preamp-amps? I want to know about all the different types, manufacturers, models, history, etc.

What's the best way to go about buying a high-endmodel? How did you make your pre-amp decisions? Listening to records? Talking to friends? Can I try before I buy?

hi guys, i'm trying to decide whether to get a pro tools tdm system or stick with le. i basically want it for a project studio i am setting up. compatibility with other studios is very important to me, and so is a high track count. i havent used pro tools le before but i hear you can only use 32 tracks plus virtual tracks.