I am head of a music department for a community college where we finally convinced the powers-that-be that a Midi studio/recording Certficate would be a good thing. So now we are ready to assemble a DAW, etc. and need some advice.

My second set of drumagog ready drum samples is now available, just ask me for them on DALnet.

Hey everyone,

I'm having MAJOR problems with my system, hopefully you guys can give me a hand!

Is anyone familiar with any schools in the LA area? I'm looking to move there and go to school to learn about recording and what not. Thanks in advance.

What do you all think about this "advanced mic techniques and theory" forum? Should we merge it with the "tracking and mixing" forum or change the direction of it by renaming it to maybe... "mics and placement"?

Hi gang,
I have Pro Tools MixPlus, NHT A-20 studio monitors, Alesis QS-7 synth, Unity DS-1 soft sample. I am very interested in a 88-key that has the most "realistic action" at the right price point. with a few nice sounds throw in to boot...but I don't really need them. It seems like the P80 fits all the parameters except. MIDI.

I'd love to own a HEDD, a FATSO, the OXFORD EQ & COMP plugins etc. that everyone is saying are all essential for those of us working in the digital domain. Of course, all that presupposes the mucho bucks that exist only in my fantasies. BUT... I did notice a used original vintage HEDD on sale recently for less than half the price of a new one.

Hello.

I don't mean to bring up an elementary topic, but can someone go into an explanation of Balanced vs Unbalanced inputs/cables and what the difference is? For example, I am going to try to patch my 24 channel mixer to a bay but I am not sure what cables to use and if it will make a difference at all.

I appreciate everyone's comments.

Thanks,
Michael

Which one would you buy?

Hi folks, new guy here: jumped over from the Digidesign User Conference.

Questions regarding these mics, which I have a few ancient examples of.