Hello,

I would to know your opinion about

1.Behringer MX9000A,
2.Behringer DDX3216

i know many are using tape returns on analog consoles to excape the digital bus.

do feels high-end line amps are needed?

what are ya'll using aout there? suggestion wanted. i have a Tascam M5000 which of course can handle the tape returns, but ow good are users finding is needed to get a good sweet mix?

later,

Billy

I wanna hook up 2 multi-channel units to my 002R. Maybe one of you fine people can explain this me. thanks

Hello everyone,

Hi,

I need to split analog out from Apogee Rosetta 200 (XLR balanced line, adjustable between +2 and +26 dBu, usually +4dBu) to feed monitor amp and headphone amp.

How to do and what is the most transparent solution?

Thank you very much in advance

Hi all I'm searching for a high-endanalog to S/PDIF 24 bit converter schematic for my DIY mic preamp . thanks for your help ;)

Just out of curiousity and because this always seem to "strike a nerve" with a lot of people. Hypothetically, if you had your choice and analog was as "convenient" as digital format, which would you choose to master with? I'm curious to see what the pro's will say. Most of you guys that are working in the "higher end" studios are still using analog a lot anyway, right?

Its really hard to find a professional I/O these days that supports lower sample and bit rates such as a 8kHz and 8bit, is it pretty much a given that I must have this support at least for playback because I tend to work with low quality audio in my field of work.

Hey guys, I (conservatively) have about $5000-$6500 to work with. I am going to overhaul the way I work in my studio. First of all, character of sound is very important to me. I think some things should sound "warm" or "gritty" or "electronic" etc... depending on the situation so I want some flexibility.

David,
is this like amp farm?
Thanks
Guitarboy