I'm just stepping into the realm of digital recording...so it's great to find a resource like this--great work!

I am planning on purchasing an Mbox with Pro Tools Le, and would like any input on whether my current computer will work well with it. As far as I could see, it meets all the specs necessary...but would appreciate any further input or suggestions. Here is what I've got:

Looking for anyone who owns a Joemeek tube comp with eq.
Is this unit classified as a class A unit? is it worth the $$,is it as good as it looks? 8-)

mainly want slight compession and limiting to prevent overs!
THANKS in advance for any help.

hello,

i use ART Pro Channel (channel strip) quite often in my studio setup.

i've noticed that EQ section is after (POST) Compressor section.

it means that i EQing the signal already compressed.

as i know it's better to put the compressor as the LAST in the signal path.

Hi Everyone,
I just bought a Drawmer 1960 pre/comp, and I have a few questions about how I should hook it up.

I want to run a couple of Neumann TLM 170s through it to record Vocals and/or acoustic Guitar.

I have a Soundtracks Topaz 24 channel desk and I'm running into a MOTU interface and with 24 bit analog inputs.

I'm looking for a 2nd compressor to put in my chain after my Gyraf Gyratec X Vari-Mu.

I use the Vari-Mu for warmth, mix-glue, and 2-3dB of compression.

Hi,

I have some simple but fairly good quality recording equipment at home and also a P.A. which is used largely for vocals at small band shows.

I am not a professional recorder but I am a professional musician and I know the benefit of spending more money to get good quality gear.

I'm in the market for a 2-channel compressor, preferably stereo-linkable... I'm a sucker for the tubey sound, but am open to suggestions...

I have been looking at the Drawmer stuff... the ts2d tubescreamer looks cool, but I have pretty good industry contacts and can get a 1968 mercenary for $1350 and can get similar hookups from other gear vendors (sorry to gloat :oops:)

Hi guys. I read a while back about you guys using two compressors when mastering. A "colored" comp to add some flavor to the mix and then a Clean compressor to level everything out. Im just curiouse which compressors do you consider right for this type of jobs. Mention some brands and in what category would they fall ?

-Mastering mainly heavy rock music.
-forget about budget

Hello,

First let me start off by saying I'm fairly new to multitrack/digital recording.