In my quite compact home studio, my rackmount headphone amp works fine, however I'd like to put a more versatile setup together for location work. It looks like I'll have a big gig in the near future which will involve headphones widely distributed on a stage.

Feel free to POLITELY set me straight on this if its too far toward lazy/absurd.

i have a stagg-pgt70 microphone and i've been recording w/ the microphone boost option on in the advanced volume mixer but the sound doesn't sink into instrumental behind it. what is the problem? it doens't sound like 1 sound, like a song but more like an instrumental w/ a voice over.

I have been doing a lot of MIDI (software synth) and guitar line recordings through a Tascam US-122 external sound card without glitch.

hey just recorded a rough demo into Cubase using my multimix firewire mixer. all the gains were at the correct level. once recorded into Cubase I noticed that after a quick mix of the song the volume of it doesn't match that of say an mp3/playback computer alerts/mp3s etc.

maybe the inputs on the mixer within Cubase were down?

what am i doing wrong I'm using a firewire solo (sound card) so I put that on get sound out of the headphones on Cubase i get sound but theres no volume bar on the stereo out. Only on the track that i hear...as a result i cant hear effects that i put on. Or Record for that matter

hello!
i use Pro Tools LE7 with the digi002 rack. now i wanna have a DAW-controller with 8 faders for my 8 hardwareoutputs. does an EVOLUTION UC33E work with my hard- and software? i know: DIGIDESIGN COMMAND 8 would be the best, but isn't there another/cheaper solution which works without problems? thanx for your help!
michael

I've heard that it's better to mix every channel in a digital mix in a low volume so that the master output channel doesn't clip, instead of lowering the master volume 3,4,5dB to avoid master output mixing, is this necessarilly true? why?

Hi,

I've been on a Radiohead, Hail to the Thief kick lately, and the mastering is very quiet, with excellent dynamics. So, I've been trying very hard to work with dynamics in my masters lately, while preserving loud volume. Here is the latest experiment at -9 dB RMS in the loud section. How dynamic or squished does this clip sound to everybody?