Is busing even really necessary in Pro Tools? Lets say you have 5 mics on a cab, would you bus all 5 to one track, or can you leave each mic to its own track? Anyone know any real reason for busing on Pro Tools other than to make veterans feel comfortable?

hello,

i'm working with synthetic basslines and kick drum making techno music.

i have used to work with plugins to compress the bassline and kick but i would like to invest a money in some good sounding compressor (limiter) and make my basslines and kicks sounding better. i mean analog and punchy.

Out of the blue one of my 414`s has lost its recording level. I'm using a pair for drum OH`s I checked the pads, phantom power and everything seems to be adjusted as it should be. I even changed cables and tried different channels but, no difference. so i'm pretty sure it`s the mic.

Kurt,

I've spent hours going through these posts the last couple of days...just stumbled in on the forum. There is a lot of great things written here and I'm trying to digest them all.

Hi Ben,

Sorry you’re not at the other place. At any rate, I have a simple question about mixing in Sequoia. I am a long time Pro Tools user and making the transition to Sequoia has been quite a challenge. I find the Sequoia manual almost useless.

Hey all,

well, I'm starting to get experimental with my DJ sets, basically been dubbing out out acappelas, SFX and whatnot over instrumentals...

i'm in a pop-punk/emo band and i've been recording my own stuff from the ground up since my band started 4 years ago (i'm now a senior in high school).

My current setup for recording guitar, bass, and vox (my drum setup is so freakin complicated i'll leave it for another day) is the following:

Hey there,
I'm trying to find out some information regarding adobe audition(cool edit pro).
Audition is suppose to be able to record 32 channels live. I need to know if I install multiple sound cards, can I assign the input of each card to a channel within the the software? I callled adobe and they can't answer this for me. .If anyone has this answer,PLEASE let me know.

Here's the deal; I'm really getting tired of these dumb AKG C430's I have for overheads. You have to place them so they are pointing DIRECTLY at as many critical point as possible (Ex: through the edge of a cymbal, across a rack tom, and at the snare). Otherwise, you get almost no off-axis response.

Sorry for double posting this, but it seems it's a lot more activity here than in the DAW board.

has anyone got any info on the quality of this audio interface?

ST Audio DSP3000