I assume there have been ample discussions of this in the past, but I cannot find any applicable threads to read using the search feature of this forum. Can anyone point me to these discussions?

If for whatever reason the discussion gets restarted here, these are my thoughts/assumptions:

I assume that higher resolution means better sound quality.

Hello,

hey i have a big problem and am hoping you guys can help. i have a Yamaha MG24/14fx and am tring to route it to a presounus firepod. i was told (and have later found out to be false) that i could run a TRS cable halfway into the insert jack and it would become a "direct out" that runs the input through the fader and eq and back out the insert jack.

Ok...so I'm looking to expand (once again) my studios dynamic mic's...right now I'm recording only with Shure sm57's as my dynamic mics. I'm looking for I mic mainly for recording some guitar cabinets but it would be a plus if it could record some drum tracks/ other stuff...
both of the mics cost the same (100$) any one had some exprince with one or both of them?
what do u say?

Hello---Do you or do you know of someone who can tell me what steps, forms, and legal agreements needed inorder to create a mix CD for undergrtound christian artist. Reply here or e-mail me zoomzoom@hottmail.com .thank you very much. I already startyed the phone tagging with the listed contact.

Thank you
Larry larry

Please disregard my ignorance of tube anything. Is there a such thing as having too many tubes in a vocal chain? What I mean is: tube LDC into a tube pre?

I have a RSM-1 Nady that, I thought, was a ribbon mic. I'm new at all this and I learned in audio class that a ribbon can be broken if you just sneeze on it too hard. Well, this mic has taken a beating in my studio/bedroom and it just keeps on going. Can someone explain this to me?

not to sound like a n00b d00d but do you guys think Micing up 2-4 mics on a cab will present phase problems? one mic per driver

Hi all,

We're looking into the possibility of an FTP/temporary backup server for the studio and I was wondering if anyone might be able to help with a query.

I have a RSM-1 Nady that, I thought, was a ribbon mic. I'm new at all this and I learned in audio class that a ribbon can be broken if you just sneeze on it too hard. Well, this mic has taken a beating in my studio/bedroom and it just keeps on going. Can someone explain this to me?