had a client come in while you're mixing and want what you've got there, even though it's not even close to done?

This happened the other day. I had just come up with a rough mix and was working on it, and the vocalist comes in and says "That's great! burn it!" I tried explaining to him that it wasn't done, and would only get better, but that's what he wanted.

:cool: I recently purchased four of these from LSC in Los Angeles and am very happy with both the construction and the price ($14.95 retail.) I am told that Coffey Sound also carries them.

Courtney Goodin (aka Goodsound) makes them and says:

I am looking into getting a new CD burner for my computer b/c some of the masters that I have made don't play on all CD players. I use CD architect to layout my projects. Anyways, Best Buy has a couple PLEXTOR burners for sale. One is only around $100.

What's a pair of headphones that has really good isolation and sound quality? Like sit placing a mic right in front of a screaming half-stack and be able to hear the mic placement kind of isolation. Right now I have Sony MDR-V600, Sony MDR-V900 and Sony MDR-7506. Thank you

Hi
Im recording a mrdangam on wednesday and was wondering if anyone has any experience recording it and Micing it?

any suggestions?

Thanks in advance

What's the crack with re-amping a bass signal for example. I've recorded through a DI and now want to send that signal to an amp. As the signal is obviously now line level will that damage the amp? Or can I still just patch from tape into the amp head?

Thanks

I did a live radio broadcast of the Mighty Wurlitzer Radio Hour yesterday afternoon. It is a program done on WCLV-FM in Cleveland and is done four times a year.

Does anyone out there use the Beta 57 for guitar cab micing, or anything for that matter?

I own a Beta 58, and I can really hear a HUGE difference between that and a SM58. I was wondering if I would hear that kind of difference in the quality of the 57s. Can the Beta can be used for the same applications with better results?

Hi all,
I was looking at the Edirol FA-101. On the front it has headphone monitoring and a knob for pan between 1-2 out and monitor out. I can understand 1-2 out refers to the first two channels on the output (of which there are a total of 8), but what is monitor? Is it monitoring the inputs 1-2 or a mix of some kind.

I already posted this question in mastering forum but no reply.
Maybe someone here...

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Problem...

I hear great final mix (analog) but when I record that thru RME converters (Multiface) it doesn't sound that good anymore.