Okay, just for yuks:

What are your picks for the best 5 seconds or so in recorded music?

All right, I am going to be setting up my music studio so I can record guitar, both electric and acoustic, piano, both MIDI and regular piano maybe, and vocals. I want to have capabilities to record drums but won’t need enough inputs to record all at once, just enough inputs to handle the mics for recording drums. I need help in deciding which way to go with recording.

New to the list (been lurking for a while, and learning TONS from all the great info), and finally summoned the guts to post.

To all you acoustic recordists. I mostly do rock/pop etc but I have a classical acoustic gig coming up. ( I've done several of these in he past but I'm always trying to get better). I was wondering if you could help me spread this gear around. So out of this list of gear what would you use where? The sessions will be

Hi guys, I posted this question in another forum and was directed here. I'm considering getting another pre to add to the rack. I mostly do pop, rock, hard rock, jazz, country etc but I do have a project of classical music coming up. I know the API 3124+ and UA pre's would be great for the rock stuff but how about classical? I have the MP2NV which sounds great but I need more channels.

As I'm in the market for a new mixer the specs of this one looks quite intersting. Anyone here got any experience with this mixer recording any sort of classical music?

Hi everyone

I'm just wondering if people here use the 'standard' classical mics for rock music.

The mics I mean are by Schoeps, DPA/B&K, Sennheiser MKH series.

Just wondering...

John Stafford

firt of all i"m new so i want to say hello to everybody outhere; the forum just great! i'm a french producer and we just need the same thing in french! (anyway it"ll help me improve my english!)

Not sure if anyone watched it, but there was a nice moment during the pre-game show where the combined four choirs of the American miltary performed the National Anthem. (Yeah, no wailing, improvising, endless "interpretations" this year. it was "no surprises and right down the middle, content-wise.)

Up until very recently, I was addicted to the control surface. Any automation was done via 9 smooth faders and FX automation with the twist of a knob.