Hi guys,

Just got a slight problem.
Wondering whether anyone has any ideas as to the cause of it.
Whenever I record in 44k i get a large wave signal in nuendo, but when i switch to 96k the wave is 1/4 the size of the 44k wave and barely audible.
Any advice?

Thanxxx

i recorded a session the other day in pro tools at 48 khz. the problem was, the clock was set to 44.1 khz and now i have 44.1 khz files that play back at 48 khz (so they sound sped up - faster and higher in pitch).

So my question is this

i use either a roland 2480 or Cubase as my main recording environment
SX 2 i should specify.

So should i set my projects up as 44.1/24bit? and then mix down or "dither" (still not sure how or when this works) to 16 bit so i can play on a CD?

the real question is, is there noticeable sound quality improvement?

thanks

I have some tracks that are originally 16 bit, wondering what the benefits or consequences would be to convert to 24 bit to mix and then reconvert & dither to 16 bit for CD burning? Thanks for all opinions!

Is there anyway I can convert my tracks rendered to 320 kbps 48 khz mp3s to 44.1 khz without any quality loss, so I can burn them on CD without having to render every track over to 44.1khz wavs?
that could take years!. .

PLS Help...
thnx

As far as I know the information being passed through an ADAT Optical Digital out can only go as high as 48K. But I was researching the Focusrite Octopre and it states that there is a new ADAT spec that now makes it possible to use ADAT to transfer 96k digital information. Has any one heard about this? Or does any one know where I can get info on this new spec?

Anyone using it as title.

How do you know that you are really recording at 24 bits? :roll:

Is there a way to check it?

Yiannis

I'm new here, so I don't know if you have already discussed about this before... probably you have! I'm from Argentina so excuse my awkard english.

Hello everybody.

I think, 24 bit is in anyway better than 16, and i think you would hear a difference betwen

a.) recording 30 tracks with 16 bit, mixing it in 16 bit mode with Pro Tools, bounce the whole mix again 16bit and than master the 16bit bounce

and