Hey guys, I've been working on this song for a few days but I can't get it to sound right. My little studio is not sound proofed and very reflective. Can you please listen to it and let me know what you think? The vocals are not in tune because it's just a guide

I have some sessions that were recorded on the mx2424 many years ago and backed up on Panasonic DVD ram discs 5.2gb LM-DA52. I want to get the tracks off to mix on another platform.

Hai,

I have come across a setup in a medium size House of Worship hall where two sets of stereo speakers are facing each other. The front two facing the congregation and the rear two facing forward from behind the congregation.

Is this likely to result in sound dead spots or is it acceptable if the speakers are phased correctly?

Thanks.

I have come across a setup in a medium size House of Worship hall where two sets of stereo speakers are facing each other. The front two facing the congregation and the rear two facing forward from behind the congregation.

Is this likely to result in sound dead spots or is it acceptable if the speakers are phased correctly?

Thanks.

I won't have time but for those that can, UA Live At NAMM might be interesting.
Tune in at 1:00 PM PST

(moderation edited)
I finally took the advice last year and got the Focusrite 2i2, to go with my SM-57 microphone.
Works great. Listen to the pros, guys...

Here's a recording I did for my brother:

Below is link for details of release of Logic Pro X 10.3. Lots of enhancements and fixes.

https://support.apple.com/en-gb/HT203718

Hi on the Board,

I am dealing with a track, preparing it for mastering, and actually it doesn't sound too bad but no matter what I do in Logic X to balance the stereo field (by panning instruments) I don't seem to be able to correct a strange asymmetry where peaks (?) reach right to the limits on only one side of the audio file.

Is this an imaging problem?

An equal-loudness contour is a measure of sound pressure (dB SPL), over the frequency spectrum, for which a listener perceives a constant loudness when presented with pure steady tones. The unit of measurement for loudness levels is the phon, and is arrived at by reference to equal-loudness contours.