Hi..

Really interested in buying a Sebatron 2000 VU..I live in London England. Does anyone know of a dealer/website I can buy one in Europe?

thanks
Robert

Did anything ever happen with that group buy for the Sennheiser MD421's? The post just kinda died out

I'm really praying someone out there understands how to use it. The guys in the shop don't even get it, the manual is just so unhelpful and cryptic. There seems nowhere else to turn to.

i am gonna order a ESP urban camo mII, already have a fender strat 60's model copy
and got line 6 pod xt but as i've come to know that amp modelers don't sound as original as the natural tone amps so i think i should have a good amp
the kind of tone i like, i don't know how to explain but sort of a modern hi gain to a very classical tone.

i have a new firepod from PreSonus and i have up to 10 inputs. But i am trying to record drums. So i have all my mics hooked up into the fire pod and on my drums. But how do i hear the sound from all the microphones?

After years of boutique handwired guitar amps that were clones of vintage Marshall and Fender guitar amps, I ended up getting. . . vintage 60's Marshalls and Fenders.

New to the list (been lurking for a while, and learning TONS from all the great info), and finally summoned the guts to post.

Hi. I am interested in learning more about cues the ear uses to localise a sound, so I can improve my stereo mixing techniques.

I know the very basics of IAD, ITD, HRTF, pinna shadow effect etc, but not the details. I want to know more about how to use EQ, panning and level balance to suggest placement rather than reaching for the nearest reverb/delay. Anyone relate?

I am trying to get this thing to record, inputs are good (levels) moving output to board is good I can hear it. When I hit the record button seems to be recording, but I don't get anything on playback, no meters or sound. Seems that nothing is going to the tape.

I am current reading the Mixing Engineers Handbook, fricking sweet. I have a question about compression. In the book the author keeps making statements like the following.

"Hit the compressor fairly hard, at least 10db or more if it sounds good"