Does anyone have any experience with the DMS 22? I'm looking at buying one (maybe).

hi kurt,and everyone... need your help.I,m off to Austria with a load of gear to record in a great sounding barn and i,m about to shell out on equipment.

Hi,

I'm considering buying a delta 66, but sometimes one reads that M audio's driver are not up to scratch. Does anyone have experience with their drivers?
thanx,
Macmod

ok I'm sorry this is a horrible question..
but can someone kinda explain a compressor to me
ive never been explained what "ratio, attack, release, and "knee?" really do...
ive messed around with them on my pro tools le and use the foactory presests for a lot of things...(vocals, drums)

i got the 002 rack. its real great.
but I'm wondering whats the best way to convert my other 4 analog 1/4 inputs to XLR...
i was looking at the SMPro pr4 on musiciansfriend.

Hi, I know little about computers. I've had an AMD 2700 computer built for CD burning from masters made on two track reel and/or mini disc. I've decided to get the M-Audio 2496 card for the computer.

I'm curious to find out if it's worth making an investment on building a DAW w/ lets say a dual Pentium 4, 3.06 processor. Mac has the new G5 that's suppose to blow the _hit out of everything currently on the market nowadays (even current dual processor setups). What would the system bus speed be like? More importantly, how would the performance standup to this new Mac monster.

I am looking to double track guitar/bass, so I need to split the signal coming from the instrument with one high impedience line (1 MOhm) going to a guitar amp, and one line-level going to a mic preamp's line-in.

I noticed that the Music Industry forum has bit the dust, or is on sabbatical, so I'll post my question here as it is more of a general interest topic.

I recently saw "Standing In The Shadows Of Motown" on DVD and I must say: Holy cow, was I ever living in ignorant bliss! These musicians are incredible and are now my role models as far as playing and performing goes.

Anybody got any magic formula for this? I had a pianist come in and record some stuff, and while the piano itself sounds great, the player really thumped the pedal, which is kind of distracting. I found the frequencies it occupies, and I can take it out, but it also makes a big hole in the piano sound.
Anything that will fix this, short of better player technique?