Synthesis (Mixing for a BIG sound)
Hi everyone, I've been scanning these boards for a few weeks and found some great tips from other peoples posts, but up until now I haven't posted anything. I'm hoping some of the more intermediate to advanced audio guys out there (specifically those who mix well) could help me out with this one.
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Mixing on purpose
I should say right up front, that I am a rank amateur when it comes to mixing. I recently read a great book on mixing called "The Mixing Engineer's Handbook" by Bobby Owsinski.
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Mixing Console Options
Hi all, this is my first post and I must say I love this forum! I am looking to upgrade my studio with new preamps soon. Probably mostly Sebatron s and Vintech. The setup is recording analog into an Alesys HD24 then firewire the track files to the PC and Cubase SX for mixing. I'm trying to decide if I need a "high-end " mixing board though. Right now I'm using a Behringer MX-9000.
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mixing kick & clap in dance music
When I try to get the kick and the clap to work together it just sounds as the clap is placed above the kick..
I want the kick and clap to be like one sound, not two sounds placed above eachother...
On modern dance music songs the kick and clap sounds like one sound..
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Help needed in mixing
Hello,
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mixing with an SPL meter?
What's a good level for mixing that will not hurt my ears, but will not cause me to make the bass too loud? I'm making bass-heavy electronic music, but I want it to sound nice and crisp in the mid-highs.
Thanks
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vocal mixing for boomy/chesty voice
Hi everyone,
I'm working on a prog-rock project right now where I'm mixing a singer with a voice which sounds like a cross between Roger Waters and Robbie Robertson. Very bassy and chesty. No matter what I do it sounds to bassy. Besides using a HP filter at 80Hz, What other frequencies are generally troublsome for a soft vocal?
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recording and mixing saxophone (soprano)
Hi all
Yesterday I recorded someone playing the soprano saxophone.
He's a very engaged player (for over 50 years) using both every dynamic range available and using every corner of the recording space available.
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gain structure while mixing in the digital domain. .
Usually what I do during a mix on my computer is just keep turning each wave that is low in the mix up, and by the time i'm done I end up having the main mix level at like -15, and each Wavesvolume at like +2 to +12 or something like that. In the analog world I know doing this might create problems, but in the digital domain does it even matter at all?
5.1 mixing...
i have a pair of Genelac 1030A and KRK K-Rok
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