Hello, I'm new to the forums and wanted to ask a few questions. Over the past few months I've dedicated a lot of my time to music/producing and have put together a home recording studio/setup with a compression booth (It's turned out very nice for what I've put into it).

I'm looking for a small production/mix room in the Los Angeles. If would be great if it has access to a large recording room but not necessary. Any guidance would be much appreciated. Thanks,
Benny
917-407-4242

Thanks in advance to anyone who can advise me on how to create the illusion that the music is surrounding the listener. I'm dealing with instruments and vocal tracks that were all recorded by using close micing. As a result the sound is very one dimensional. I'm try to achieve a sound similar to the late 60's early 70's blues recordings.

hi guys ive been producing for a while on Cubase now and I'm in the process of now doing my first mix and am veryyy confused regarding levels and such, not balancing, since i want to do that after getting peak levels understood and set.

Our church is in need of a new mixing board. We are currently using a 16 channel Soundcraft Sprit Live 4-2. We regularly use all 16 mono channels, two stereo channels and the cassette/CD channel. We need either a 24 channel board with a similar number of additional stereo channels or a 32 channel board. (This probably means we need new furniture, but that's another story.)

Hi, ive been mixing and mastering and recording for about 2 years now, I'm not a vet at this, I'm still learning but ive learned a lot through much trial and error and would like to reach out and share or help anyone needing assistance with their projects as i would like to be able to reach out to some vets for help and info when i need it...

Mixing for your target audience

I read somewhere recently that it is good to listen to the mix at various levels, so as to provide a balanced mix that sounds good at low, medium, and high levels.

When a movie is made, and there is an accompanying soundtrack of music, is this music produced differently than if it was strictly for audio release? Are there studios out there that specialize in working on music intended for film scores?

What do you all use for a mixing chair? high back vs low back

I have nice high back leather chair but don't use it because I'm concerned I will get some imaging and possibly even higher frequency reflection issues effecting my mix from the sound hitting the back near my ears, so I stick with a low back.

The majority of music I want to record is based around acoustic blues/rock guitar. While my approach to tracking and mixing is sure to change over time as I learn more, I have already developed certain technical preferences. I know I like to use just one well placed mic, and double track the guitar parts, panning left and right somewhat.