I have a Mackie 32x8 8 bus mixing console in my shop for repair.

On 3 channels the lower part (HI and LO EQ) of the 7 EQ pots aren't working at all. And on another channel any manipulation of both the EQ level pots results in a high volume fixed tone.

Anyone had the same issue before? And knows how to fix it?

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Out of curiosity, do live concerts that are broadcast in HDTV typically make separate 5.1 channel and 2.0 channel mixes, with separate recording engineers in charge of each? Or do they make a 5.1 channel mix that is automatically downmixed to 2.0? Or a 2.0 mix that is processed in some way to create 5.1?

Im a communications student studying audio at this time, all I've ever done for recording is mic the instrument...run those to a Mackie 1604-vlz which runs into our 002 factory board then into pro tools. We'd track everything and then i'd use a few basic PT plugins to mix afterwards.

when i mix, should i run my headphones/speakers through the Apogeeone to use its converters? WIll this make it more friendly to mix? or not..?

Anyone have an idea what benefit Fab Dupont has by using the Dangerous Master in his mix rig on his 2-bus?

I heard it in this Sweetwater video on Dangerous Music products.

Mixdown automation where mix settings are adjusted in real time.

If you take a DI on your bass track and then proceed to amp that bass track and mix it in with the DI, what if the two tracks are out of phase, but you like the mic positioning on the amped track. I remember hearing about a plugin where you can adjust phase by the degree for a total of 360°, but let's say you don't have this and need an alternate method. What would you do?