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Recorderman Overhead Miking

Some here may remember the older thread where Recorderman described the way he liked to mic drums.

I am curious if anyone would be willing to chime in with some thoughts, ideas, suggestions about overheads to be used if following Recordermans suggestions.

First off, I have done it already with Beta57's and had some good luck, but I really need to use my 57's elsewhere...

Figure 8 Micing on toms

Hey guys, I'm new here I hope this question isn't too dumb. When using a mic like the 414s in figure of eight on toms, how does the signal get split, or does it at all? Is there a "matrix" box involved? I will be using a Mackie 8bus and Pro Tools. Again please forgive my ignorance on the subject, I am a neophite when it comes to Micing drums in a real live studio, but very eager to learn.

Micing Steel Drums

I'm about to start a recording session of a 3 piece band with Drums, Electric Bass, and steel drums. Anyone have any tips, tricks, or pointers for mic selection or placement on the steel drums? I've never recorded steel drums before and any help would be greatly appreciated.
My microphone choices:
Marshall MXL 2001 (2)
Marshall MXL 603S (2)

MIKING UP MY GUITAR

I'VE LIMIT GEAR SO WHAT'S THE BEST WAY TO GO ABOUT THIS. . I'AM STUCK IN MY WEE ROOM. .
THE GEAR THAT I USE . . FOSTEX DMT-8.
BEHRINGER ULTRA-DYNE PRO 9024. ULTRAMIZER PRO.
AND VIRTUALIZER PRO. .MIKES...AKG-D130..
Shure 51SKA. .I GOT TO START SOMEWHERE.
I JUST GET A TINNY SOUND PURE MINCE.
HELP ME HELP ME.
:confused: